Showing posts with label WL. Show all posts
Showing posts with label WL. Show all posts

Wednesday, January 9, 2013

Top 15 Singles of 2012



The seven inch will always hold a special place in my heart. It is the perfect introduction to a band, an affordable way to acquire new music, and it’s a format that still manages to hold my attention span despite its rapid decrease thanks to modern life. This year’s crop for the most part either emerged from a darker area or pushed the artist into a darker path, though there are more than enough releases on here to contradict that thesis as well. My one rule was that every single must have been physically released in some fashion, so a few very worthy digital singles were unfortunately disqualified.

15. Pale Lights-EP: There are few things as wonderful a perfect pop single, and Pale Lights' EP was that in strides. Simple but oh so elegant airy pop from a handful of indie-pop veterans who haven’t lost their passion for the craft. Singles like this are almost a dime a dozen, but when done right as Pale Lights did, they just worm their way into the ear and heart and never leave.

14. King Tuff-"Wild Desire" 7": It is a testament to King Tuff that he could release a single as great as “Screaming Skull” and it could still come in second to another one of his singles. But the “Wild Desire” 7” is just that good. An exemplification of all of King Tuffs’ most addictive qualities (ungodly infectious jangly guitar lines, simple yet honest lyrics, and power-pop, garage, and pop-punk energy fused together), there was not one person (myself included) who was not singing along to this single after one listen.

13. WAR/VÅR-"At War for Youth" 7”: How many people were caught off guard when this synth project was announced, fronted by the two front men of Iceage and Sexdrome? How many people were caught off guard of how great it was? A single that was not only three tracks of very creative and intelligent lo-fi synth work, but introduced me to a whole genre of music that I wasn't really listening to beforehand. For that reason alone, it should be commended.

12. Heaven’s Gate-High Riser EP: Heaven’s Gate’s debut, just from the warped cover art alone gives you a solid hint of the distortion inside. Seven slices of decidedly modern shoegaze crammed onto one lathe, all but one song shorter than two minutes. High Riser twists and contorts, stops when you least expect it, screams and shouts out you over its sixteen minute duration. In other words, just utterly awesome indie rock.

11. Superchunk-"This Summer" 7”: Superchunk are a perfect single band in the sense that every time they decide to release a seven inch, it always winds up being a near indie rock classic (if it doesn't wind up being just a flat out indie rock classic). Case in point with the “This Summer” 7”; two tracks, one a upbeat yet melancholy infused yelper, the other a Bananarama cover of “Cruel Summer”. And not only do the two tracks complement each other perfectly, but I guarantee this single will be spinning every summer for years to come.

Thursday, December 20, 2012

Single Review: WL-Impermanent

There has been some very, very, VERY great noisy, creative guitar rock this year. From more traditional shoegaze craft from the likes of Whirr to more complex takes on the genre from the likes of Heaven’s Gate, these “shoegaze” bands has been pumping out sublime (and noisy) releases all year. And to round off the end of the year and trend, WL have released their ungodly excellent debut single.

The single is a simple two song affair, but the band nonetheless manages to manifest their sound and style perfectly across both sides. On the a-side “Impermanent” is a slice of pure, classic shoegaze: cascading, distorted guitar over slow motion drums and cymbals, with both picking up at exactly the right moments to propel the song forward. The song hits you like a constant barrage of waves, just crashing over you steadily, like a great Isn’t Anything era My Bloody Valentine. The vocalist for WL, Misty Mary, has an absolutely stunning voice, which sticks just the right balance between sultry and airy. It gives “Impermanent” an added dimension that doesn’t hit you at first, but would be lacking if it wasn’t there. “No Escape” ups the noise quota for the band, but toes WL more into dream pop as well. Whereas “Impermanent” was a stagnant barrage of pure shoegaze (in the best possible sense), “No Escape” uses momentary noisy breakdowns to punctuate its relative quietness. The track is built around Mary's breathy vocals (which are possibly nicer here than on “Impermanent”), and the simple chiming guitar lacking all its distortion but captivating still, along with the steady drum beat. Subtly, the song builds into these noisy blasts of off-kilter distortion and frantic drum crashing before returning to its shimmering, airy-pop core.

I cannot overstate how wonderful this single is. There is nothing like a band coming out of nowhere only to completely knock you over with their skill and songs, and WL have done just that. Their debut 7” is pure, unfiltered noise-pop heaven, drawing from all sides of the genre. It’s the type of thing shoegaze addicts like me are always craving, and this more than meets my cravings.



Links:

WL's Bandcamp
Buy the Impermanent 7" here, from Death Party Records