Showing posts with label Pale Lights. Show all posts
Showing posts with label Pale Lights. Show all posts

Wednesday, January 9, 2013

Top 15 Singles of 2012



The seven inch will always hold a special place in my heart. It is the perfect introduction to a band, an affordable way to acquire new music, and it’s a format that still manages to hold my attention span despite its rapid decrease thanks to modern life. This year’s crop for the most part either emerged from a darker area or pushed the artist into a darker path, though there are more than enough releases on here to contradict that thesis as well. My one rule was that every single must have been physically released in some fashion, so a few very worthy digital singles were unfortunately disqualified.

15. Pale Lights-EP: There are few things as wonderful a perfect pop single, and Pale Lights' EP was that in strides. Simple but oh so elegant airy pop from a handful of indie-pop veterans who haven’t lost their passion for the craft. Singles like this are almost a dime a dozen, but when done right as Pale Lights did, they just worm their way into the ear and heart and never leave.

14. King Tuff-"Wild Desire" 7": It is a testament to King Tuff that he could release a single as great as “Screaming Skull” and it could still come in second to another one of his singles. But the “Wild Desire” 7” is just that good. An exemplification of all of King Tuffs’ most addictive qualities (ungodly infectious jangly guitar lines, simple yet honest lyrics, and power-pop, garage, and pop-punk energy fused together), there was not one person (myself included) who was not singing along to this single after one listen.

13. WAR/VÅR-"At War for Youth" 7”: How many people were caught off guard when this synth project was announced, fronted by the two front men of Iceage and Sexdrome? How many people were caught off guard of how great it was? A single that was not only three tracks of very creative and intelligent lo-fi synth work, but introduced me to a whole genre of music that I wasn't really listening to beforehand. For that reason alone, it should be commended.

12. Heaven’s Gate-High Riser EP: Heaven’s Gate’s debut, just from the warped cover art alone gives you a solid hint of the distortion inside. Seven slices of decidedly modern shoegaze crammed onto one lathe, all but one song shorter than two minutes. High Riser twists and contorts, stops when you least expect it, screams and shouts out you over its sixteen minute duration. In other words, just utterly awesome indie rock.

11. Superchunk-"This Summer" 7”: Superchunk are a perfect single band in the sense that every time they decide to release a seven inch, it always winds up being a near indie rock classic (if it doesn't wind up being just a flat out indie rock classic). Case in point with the “This Summer” 7”; two tracks, one a upbeat yet melancholy infused yelper, the other a Bananarama cover of “Cruel Summer”. And not only do the two tracks complement each other perfectly, but I guarantee this single will be spinning every summer for years to come.

Monday, October 15, 2012

Single Review: Pale Lights-EP

A good indie-pop 7" is like chocolate. There is a plethora of it, and the bars almost always taste nice, but you can can tell a quality piece from the generic stuff they always stock. It might be a little harder to find, and usually comes from another country (in this case an English export), but tracking down that quality is always worth it to track down. Pale Lights, and in turn their debut 7" EP, is that quality chocolate.

Pale Lights is the newest band of Philip Sutton, who plays(ed) in the likes of Cinema Red & Blue, The Soft City, and the Comet Gain. All this is brought up to give the proper perspective of what type of indie-pop one is dealing with when you place this single on your turntable. This is pure jangle-pop, in all its glory. Not one note of distortion exists within the world of these songs, instead riding a wave of unfiltered, bright, and sharp guitar pop. It sort of sounds like early Belle and Sebastien if they had used only electric guitars and the album had been cracked to 45 RPM.

Not to say these songs lack bite. Sutton's time in Comet Gain payed off in learning how to add a deeper pull to even the catchiest pop songs. In fact, all of the songs on Pale Lights' debut are darker than they appear once you dig a little. "Boy of Your Dreams" is about about a collapsing relationship, "Ghosts of Youth" about never escaping one's past. "She Won't Ever Calm Down" feels like remembrance of someone who is a little more than just off-kilter. All these tunes also happen to be beyond catchy, the guitars plucking melodies and hooks out of thin air, and swirling keyboards to add another dimension to the songs. It's just a simply lovely package, one of those 7" that just appears out of nowhere, and grabs a hold of you thanks to its wondrous songs.



Links:

Pale Light's Facebook
Buy EP here from Calico Cat Records